Special Feature: The Vanishing Museum on the Rue Mistral (Verlaque and Bonnet #9) by M.L. Longworth

I read a few of the earlier Verlaque and Bonnet mysteries and one of the things that stands out about the series as a whole is how sophisticated they feel. Both of the characters feel mature and smart with a distinct air of sophistication that I think other cozy style mysteries don’t always have. I don’t know if it’s because the mysteries are set in the South of France, but something about this series always says ‘classy’ to me!

This is one series that I really need to go back and read from the beginning. I have jumped around in the series but never really felt lost within the larger narrative and characters but I will say that I think I might appreciate the nuances of Verlaque and Bonnet’s relationship had I started the series from the beginning. So this is a series that I am planning on going back and reading from the beginning but I think readers will feel right at home without having to go back and start from the beginning.

Today I am so excited to share a bit about this book and series with you all, the 9th book is out now. This book promises all the same charm, smarts, and mystery long time fans will expect from this series. Plus if you are looking for a little escape (ie; a trip to the South of France!) then look no further than this fun series right here!


A breezy, charming, and perfectly escapist mystery set in the heart of sun- and wine-soaked Aix-en-Provence–where murder investigations are always put on hold for lunch and the only thing more sweeping than the story is the Mediterranean coastline.

Something strange has happened at the unassuming Mus�e de Quentin-Savary in Aix-en-Provence. When the director, Monsieur Achille Formentin, walks in one beautiful April morning, he is shocked to find the whole museum emptied of its contents–only a bench, the reception desk, and a lowly fern remain.

Distressed, he calls the local police, and Aix’s examining magistrate Antoine Verlaque sets out to discover the thief’s identity. But it’s the most baffling case Verlaque has ever encountered. Why would someone want to steal porcelain dessert plates, some old documents, and a few small paintings? Could this have something to do with the mysterious robbery of Madame de Montbarbon’s apartment a few weeks earlier? And how can Verlaque possibly concentrate on the theft when he and his wife, Marine Bonnet, are going to have a baby? (summary from Goodreads)


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