As 2017 comes to an end, I couldn’t ask for a better book to close out the year with.
This book was all over my Instagram feed for weeks and it was also on Book of the Month so it basically got a lot of hype. I was really hesitant because of the hype, but believe me when I say—the hype is real!
Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles.
But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass?a city to which Nahri is irrevocably bound.
This was definitely my year of DNF books. I did not start out this year thinking I would have so many, but when I put down 
This is a new author for me and frankly I only agreed to read this novel because of the tag line: “An appreciative satire of the cliches of classical Gothic”.
Over the last couple of years, 
I first discovered 
